The Jason Yeager Trio, featuring Matt Rousseau on drums, Danny Weller on bass, and special guest (and fellow INCM artist) Aubrey Johnson on voice, will perform today at Smalls Jazz Club in Greenwich Village, NYC. 4-7 PM, $20 cover.
Michael Pinto in JazzTimes
Inner Circle Music artist Michael Pinto is featured in an article in the October issue of Jazz Times about the current state of the Jazz Vibraphone.
Click here to read or pick it up on the news stands in October!

Sara Serpa – Mobile – Now Available
Get the new Sara Serpa album Mobile at the Inner Circle Music store!
New review for “Wake Up, Fall Asleep”
Andrea Canter of JazzPolice.com writes:
“…a magical, invigorating set that emphasizes the human voice as a melodic and highly versatile instrument, somewhat suggestive stylistically of Judi Silvano, Gretchen Parlato, Kendra Shank, Tessa Souter… and not like any other. Scheffer has the agility and panache of a seasoned horn player and the imagination of the brightest stars of her generation… ”
To read the full review, visit:
Petros Klampanis/CONTEXTUAL – CD Release concert at Cornelia Street Cafe
Petros Klampanis/CONTEXTUAL – CD Release concert
Bassist and composer Petros Klampanis invites an array of renowned musicians, in order to celebrate the release of his debut album Contextual, on Sunday the 5th of June, 8:30PM at the Cornelia Street Café.
Line up:
Gilad Hekselman/guitar
John Hadfield/percussion
Megan Gould/violin
Rebecca Cherry/violin
Lev “Ljova” Zhurbin/viola
Yoed Nir/cello
and
Petros Klampanis/bass, looper, arrangements.
Guest:
Magda Giannikou/voice
Much like an impressionist painter alters his color palette depending on how light falls upon his subject, Petros Klampanis alters the musical context in every track of Contextual, in order to point out different characteristics of the double bass. Petros Klampanis’ debut album, Contextual is released by Inner Circle Music.
Contextual is a sonic portrait of the double bass and it has received raving reviews for critics and well known musicians:
“An amazing project!”
Greg Osby, saxophonist, composer, producer.
“Excellent writing and playing. I especially like Petros’ aggressive melodicism, beautiful intonation, and uniquely personal string writing.”
Drew Gress, bassist, composer.
“Contextual is one of the most exciting records I have heard from a bass player in years! The writing and playing is excellent, with a very good sound and a wide spectrum of musical ideas.”
Arild Andersen, bassist, composer
Cornelia Street Cafe, 9 Cornelia Street, Greenwich Village, NY 10014.
Doors open at 8:30PM.
Cover: $10.
For reservations call: 212-989-9319.
For more information, please visit:
www.petrosklampanis.com
www.corneliastreetcafe.com
Thalassaki
Jason Yeager Trio “Ruminations” released; Concert at Regattabar!
Jason Yeager: Framingham’s young jazz man
By Chris Bergeron/METROWEST DAILY NEWS STAFF
GHS
Posted Mar 13, 2011 @ 02:00 PM Last update Mar 14, 2011 @ 01:52 PM
There is a moment during Jason Yeager’s solo piano rendition of “In Pursuit” when the music erupts in a burst of excitement that seems to encompass all the promise of his young life.
The 24-year-old Framingham musician will share that jubilant energy Tuesday, March 15, at the Regattabar in Cambridge at a release party for “Ruminations,” the debut CD by the Jason Yeager Trio and special guests.
For a kid who got his first toy keyboard at 4 years old, An Evening with the Jason Yeager Trio is another big step in a musical journey of endless possibilities.
Yeager, bassist Tal Gamlieli and drummer Michael Gleichman will be playing primarily from the eight tracks of “Ruminations,” which was released March 1 by Inner Circle Music. They’ll be joined by guests Aubry Johnson on vocals, Mike Tucker on tenor sax and Vivek Patel on flugelhorn.
Yeager began composing “Ruminations” in 2007, about the time he began playing with Gamlieli and Gleichman whom he credits with providing the “personal chemistry to help create music that flows as we express ourselves as a group.”
“There’s a lot of musical trust and friendship. I think we’re really good friends; like family who can finish each other’s sentences. In portions of our music, people will hear how we really complement each other,” he said.
He’s incorporated into his songs chacarera rhythms he absorbed studying in Argentina, a tribute to jazz giant George Gershwin, a musical meditation inspired by a Buddhist chant he heard during a retreat in Vermont and all the eclectic influences that come from studying music since he was 7.
“Hopefully our music will touch listeners. I try to make music that’s personal for me but moving and accessible,” said Yeager from Brooklyn, N.Y., where he’s establishing himself as a working musician.
After years of playing together, he said the trio has developed a shared intuition that’s let them imbue the CD’s eight songs with “melodies that are singable and interesting harmonies yet conveys a sense of mystery and darkness.”
“I think every listener will take something different from ‘Ruminations.’ We’re trying to contribute something new. I’m not out there to write pop music and sell a million records,” said Yeager.
Born and raised in Framingham, he remembered being drawn to music after his uncle Leonard Kram gave him the toy keyboard when he was 4. He started taking piano lessons at 7, and began writing his own music within a few years.
Shortly afterward, his parents, Peter Yeager and Kathy Kram, professors at Boston University and Boston University School of Management, respectively, bought him a used Baldwin upright piano and remember him sitting on a phone book, practicing chords. Peter Yeager said his son was an unusually imaginative child who used to script and perform fantasy plays with neighborhood pals. Yeager suspects something in his family’s background predisposed him to music. He said his grandmother Elly Kram had been an aspiring classical pianist and he recalled listening to “an oldies radio station listening to the Rolling Stones with my dad and marveling at how good the songs made me feel.” Growing up, he played second base and shortstop in the Framingham Baseball League and practiced kenpo karate.
While in junior high school, Yeager studied piano at the Rivers School Conservatory in Weston with Dan Loschen whom he credited for “opening my world by showing me music was a valid way to express myself.”
Now assistant chairman of the Jazz Department, Loschen described Yeager as “a real joy to work with….Jason had perseverance to master the assigned pieces and a real passion for music. He might be the most outstanding student I’ve had in 13 years,” he said. “Being a jazz musician can be a tough road. But Jason has the ambition and drive to really do something special.”
For high school, Yeager attended Milton Academy. He graduated in 2010 from a prestigious five-year double degree program at Tufts University and New England Conservatory. He graduated summa cum laude with a bachelor’s degree from Tufts in international relations and from NEC with a bachelor’s degree with honors in music.
Over the years Yeager has been taught by several influential master pianists who’ve become mentors including Danilo Perez, Fred Hersch and Ran Blake. Since graduating from college, Yeager has lived in Brooklyn, cobbling together “a patchwork of activities” to sustain himself as he worked on “Ruminations.” In addition to performing in Big Apple jazz clubs, he’s provided musical accompaniment for an off-Broadway play, played in for a rock band and gives piano lessons.
Recommend
Yeager shares the belief of his piano teacher and mentor Danilo Perez, a faculty member at Berklee College of Music, that music can promote positive change and social justice. He volunteered last year with a program Perez established in Panama, teaching music to children in impoverished communities. And his CD’s final song, “Lullaby for a Better World World,” is dedicated to his hope for a world “free from poverty, violence, injustice and hate.”
A legendary pianist, Blake described Yeager as “a special person and an incredible composer and musician.”
“I feel Jason is a very intuitive musician. He has a wonderful ear. He’s exciting technically but he doesn’t parade his technique. Then he surprises you like a thunderbolt and knocks you off your feet,” said Blake, a Newton resident who received a MacArthur “genius” grant.
After witnessing Yeager’s early success, Blake said it’s exciting to wonder what sort of musician he’ll mature into by the age of 30.
“Jason can be unpredictable. For 10 minutes he can be very competent and suddenly a thunderbolt comes and he’s extraordinary,” said Blake. “I think there’s a potential to be somebody very, very important. I think there’s a potential for genius.”
THE ESSENTIALS:
WHAT: An Evening With The Jason Yeager Trio, a CD release party for “Ruminations” WHEN: Tuesday, March 15, 7:30 p.m. WHERE: Regattabar, Charles Hotel, One Bennett St., Cambridge COST: $16
INFO: 617-395-7757, www.regattabarjazz.com Copyright 2011 The MetroWest Daily News. Some rights reserved
James’ Blog
Last October, I was in Youngstown visiting my Dad. He played for me excerpts of a live performance which he had taped from the radio of Abbey Lincoln back in the day when I was performing with her. This past week on the NPR JazzSet with Dee Dee Bridgewater, Abbey Lincoln was featured in this same intimate 1984 performance from the Peppermint Lounge, a neighborhood club in Orange, NJ, taped by WBGO in Newark. I offered my reminiscences of this performance which also included Cassandra Wilson, Mark Johnson, Billy Johnson, and Bemshi Sherrer. Thanks to Becca Pulliam for putting that together. Listen here.
Recently, I had a real blast at the Village Vanguard playing with the Joe Lovano US Five. There was so much beautiful energy flowing between the five of us which also included, Esperanza Spalding, Otis Brown III, and Matt Wilson. This is also on NPR. Listen here.
Uprising
From the album “Ruminations”, to be released Feb. 2011.
With Mike Tucker on the tenor sax solo…
Enjoy!
Evan Weiss CD Release Show
Stay tuned for the New York CD Release Concert. Dates TBA.
Math or Magic – Press Release
Trumpeter/composer Evan Weiss’ childhood in the Pacific Northwest and early adult years at The University of North Texas inform the atmosphere and mood of Math or Magic, his ambitious debut recording for Inner Circle Music (May 22 release). Math or Magic includes lushly orchestrated soundscapes and cinematic themes that weave their way through the entire project. Like the natural world around us, the music on this provocative recording explores the relationship between the intricate and the simple; the balance between complex compositional elements and vibrant, listenable melodies.
“I wanted to write something that I had never written before,” says Weiss. “The attentive listener will be able to make meaningful discoveries as he or she digests multiple layers of the music.” As most of the music was composed specifically for this album, the themes, rhythms, and harmonies are intertwined throughout the record. On his website, Weiss includes additional liner notes and diagrams detailing the compositional significance of each piece.
Math or Magic was a natural progression for Weiss, who until this project, wrote primarily for big band and small ensemble. As in his big band writing, he explores a wide variety of musical environments, using the full textural range of each instrument. While the music is founded in the jazz tradition, the listener will hear strong influences from Maurice Ravel, Steve Reich, Bernard Herrmann, and many other “classical” composers. The result is a chamber music album that transcends genre to create something unique and personal.
The scores are through composed, but nonetheless allow ample room for interpretation and improvisation. Math or Magic is an 11-piece chamber group consisting of trumpet, voice, violin, viola, cello, flute, clarinet, bassoon, piano, bass, and drums. In addition, production of the album includes the use of orchestral percussion, processed vocals, and dramatic sound effects.
An excerpt from the liner notes of Math or Magic:
“Balance. Much art involves elaboration or refinement of pre-existing mental constructs. Theory is an attempt to explain existing artistic phenomena. However, it also greatly impacts the direction of artistic progress. But art does not necessarily have to come from theory. There is a deeper consciousness that allows human beings to be aware of our own minds. Some art reaches this deeper level. It can touch us emotionally or even primally, in ways that relate specifically to the human condition. Great art takes a balance of mind and soul, because only together do they make us human.”












